Books

Books and exhibition catalogues that discuss or reference the life and work of Terry Fugate-Wilcox.

1966

Second Biennial Michigan Artist-Craftsmen Exhibit (Grand Rapids, MI: Grand Rapids Art Museum, 1966).

1969

Ray Pierotti, Sound (New York: Museum of Contemporary Crafts of the American Crafts Council, 1969).

1970

Paul J. Smith, Contemplation Environments (New York: Museum of Contemporary Crafts of the American Crafts Council, 1970).

1972

Testimony of Frances G. Knight, Hearing before the Subcommittee to Investigate the Administration of the Internal Security Act and Other Internal Security Laws of the Committee on the Judiciary, United States Senate, 92nd Congress, 2d. sess., September 15, 1972 (Washington, DC: Government Printing Office, 1972).

1973

An Exhibition (New York: 64 Grand Street, 1973).

Lucy R. Lippard, Six Years: The Dematerialization of the Art Object from 1966 to 1972 (New York: Praeger, 1973).

1974

Diana B. Chicura and Thelma K. Stevens, Super Sculpture: Using Science, Technology, and Natural Phenomena in Sculpture (New York: Van Nostrand Reinhold, 1974).

Richard L. Warrum, ed., Painting and Sculpture Today 1974 (Indianapolis: Indianapolis Museum of Art, 1974).

1975

Terry Fugate-Wilcox, Prospectus, 200 Shares: Crack in the World Company (New York: Louis K. Meisel Gallery, 1975).

1977

Gregory Battcock, Why Art: Casual Notes on the Aesthetics of the Immediate Past (New York: Dutton, 1977).

Sculpture Potsdam ’77: An Exhibition of Contemporary Sculpture (Potsdam, NY, The Gallery, 1977).

1978

Hilary D. Bassett, ed., Painting and Sculpture Today 1978 (Indianapolis: Indianapolis Museum of Art, 1978).

1981

Robyn Brentano and Mark Savitt, eds., 112 Workshop / 112 Greene Street: History, Artists, and Artworks (New York: New York University Press, 1981).

1984

Tracy Atkinson, David Bermant, et al., The David Bermant Collection: Color, Light, Motion (Hartford, CT: Wadsworth Atheneum, 1984).

1988

Margot Gayle and Michele Cohen, The Art Commission and the Municipal Art Society Guide to Manhattan’s Outdoor Sculpture (New York: Prentice Hall, 1988).

1989

J. T. Fraser, Dana Friis-Hansen, and Katy Kline, Clockwork: Timepieces by Artists, Architects, and Industrial Designers (Cambridge, MA: MIT List Visual Arts Center, 1989).

1991

Tricia Collins and Richard Milazzo, eds., An Anthology of Statements Celebrating the Twentieth Anniversary of White Columns (New York: White Columns, 1991).

1992

Michael Lloyd and Michael Desmond, European and American Paintings and Sculptures 1870–1970 in the Australian National Gallery (Canberra: Australian National Gallery, 1992).

1997

Lucy R. Lippard, Six Years: The Dematerialization of the Art Object from 1966 to 1972 (Berkeley: University of California Press, 1997).

2005

Susan Abbott, Fine Art Publicity: The Complete Guide for Galleries and Artists, 2nd ed. (New York: Allworth Press; San Francisco: Art World Press, 2005).

2007

C. David Heymann, American Legacy: The Story of John and Caroline Kennedy (New York: Atria Books, 2007).

2008

Kevin Concannon and John Noga, Agency: Art and Advertising (Youngstown, OH: McDonough Museum of Art, Youngstown State University, 2008).

2011

Tery Fugate-Wilcox and Valerie Monroe Shakespeare, It’s the Artist’s Life for Me! (self-published ebook, 2011). Available from Amazon and iTunes.

2012

Jessamyn Fiore, 112 Greene Street: The Early Years (1970–1974) (Santa Fe, NM: Radius Books; New York: David Zwirner, 2012), 180.

2014

Armory Gallery, To Market We Go: Art, Advertising, and the Multiple (Blacksburg: Armory Gallery, Virginia Tech, 2014).

2016

James Meyer with Paige Rozanski and Virginia Dwan, Los Angeles to New York: Dwan Gallery, 1959–1971 (Washington, DC: National Gallery of Art, in association with the University of Chicago Press, 2016).

2018

Christopher Howard, Jean Freeman Gallery Does Not Exist (Cambridge, MA: MIT Press, 2018).