Bibliography

A chronological bibliography of articles, essays, reviews, and commentary on the artist Terry Fugate-Wilcox.

1965

With a Local Angle: Music, Art & Drama,” Battle Creek Enquirer and News, March 21, 1965.

1967

Victor Rauch, “Pop(ular) Art!,” Kalamazoo Gazette, June 4, 1967.

1968

“Local Artist in ‘Look,’” Kalamazoo Gazette, ca. January 1968.

Gereon Zimmermann, “The Culture Kick in Kalamazoo,” Look 32, no. 1 (January 9, 1968): 26–29.

1969

Grace Glueck, “Art for Your Ear,” New York Times, October 26, 1969.

Susan Rogers, “It’s Time to Separate the Sound from the Noise,” New York Post, October 27, 1969.

1970

“Contemplation Environments,” ACC Outlook 11, no. 1 (February 1970): 2.

Gamal El-Zoghby, “Designed for Contemplation,” Craft Horizons 30, no. 2 (March–April 1970): 12–19, 55.

“Hark, Hark! The Art at Heaven’s Gate Sings,” Esquire 73, no. 5 (May 1970): 140–45.

Ann McMillan, “The Listening Eye,” Craft Horizons 30, no. 1 (January–February 1970): 15.

Duncan Mitchell, “Justine Dane at Jean Freeman,” Arts Magazine 45, no. 2 (November 1970): 52.

Howard Smith, “Scenes,” Village Voice, September 17, 1970, 23.

“Space Shapers,” American Home (April 1970), 28, 38.

1971

Art Gallery for Sale,” Kalamazoo Gazette, April 5, 1971.

Gregory Battcock, “New York,” Art and Artists 5, no. 11 (February 1971): 12–13.

Gregory Battcock, “New York Letter: Art as Communications Phenomenon,” Art and Artists 5, no. 10 (January 1971): 62, 64.

Anthony Burton, “Fangtastic Is the Word for Battery Art Show,” New York Daily News, October 15, 1971.

Environment Exhibits Mark Park Art Shows,” New York Times, October 15, 1971.

Terry Fugate-Wilcox, “Force Art: A New Direction,” Arts Magazine 45, no. 5 (March 1971): 28–30.

Grace Glueck, “The Non-Gallery of No Art,” New York Times, January 24, 1971.

“Jean Freeman,” Arts Magazine 45, no. 6 (April 1971): 71.

Thomas Meehan, “A Non-Art Article on Art,” Horizon 13, no. 4 (Autumn 1971): 4–11.

John Perreault, “Art,” Village Voice, February 4, 1971, 13–14.

Victor Rauch, “The Artful Hoax of Fugate-Wilcox,” Kalamazoo Gazette, March 14, 1971.

Harris Rosenstein, “Reviews and Previews,” ARTnews 70, no. 1 (March 1971): 17.

Howard Smith, “Scenes,” Village Voice, June 24, 1971, 42–43.

1972

Lawrence Alloway, “The Public Sculpture Problem,” Studio International 184 (October 1972): 125–27.

James Bishop, “Reviews and Previews,” ARTnews 71, no. 4 (Summer 1972): 19.

Nancy Foote, “Ripping Off the Art Magazines,” Art in America 60, no. 2 (March–April 1972): 19.

Grace Glueck, “No Fair Play for the Fair Sex?,” New York Times, June 11, 1972.

1973

Peter Frank, “Reviews and Previews,” ARTnews 72, no. 6 (Summer 1973): 94–98.

Paul Stitelman, “Notes on Gallery Packaging and Aesthetic Intentions,” Arts Magazine 48, no. 1 (September–October 1973): 58–61.

1974

Alexandra Anderson, “Mass(ive) Sculpture,” Village Voice (centerfold insert), November 21, 1974, np.

Judith Beardsall, “Terry Fugate-Wilcox,” SoHo Weekly News, November 21, 1974, 15.

Jill Gerston, “Park Gets 36-Foot ‘Silver Wafer,’New York Times, November 16, 1974.

Jeremy Gilbert-Rolfe, “New York,” Artforum 12, no. 8 (April 1974): 70–75.

In the New York Galleries,” Arts Magazine 48, no. 4 (January 1974): 76–77.

Li-Lan/Terry Fugate-Wilcox, Galleries—SoHo, Goings On about Town,” New Yorker, January 21, 1974, 8.

Li-Lan/Terry Fugate-Wilcox, Galleries—SoHo, Goings On about Town,” New Yorker, January 28, 1974, 11.

Ellen Lubell, “Terry Fugate-Wilcox,” Arts Magazine 98, no. 4 (January 1974): 60.

Patrick McGinnis, “A $5000 Whatsit,” Staten Island Advance, November 19, 1974.

Paul Stitelman, “Gallery Sculptors,” Arts Magazine 48, no. 5 (February 1974): 64–67.

“The ‘Vasari’ Diary: Picasso’s Fakes and Other Stories,” ARTnews 73, no. 6 (Summer 1974): 16–19.

1975

Margaret Bartelme, “The San Andreas Fault Project,” Art Week 6, no. 45 / Art Week 7, no. 1 (December 27, 1975 / January 3, 1976): 15.

Grace Glueck, “Bold Abstract Sculptures Are Sprouting in Parks and Plazas,” New York Times, October 13, 1975.

Not His Fault,” Texas Sun, July 17, 1975.

Mark Savitt, “Terry Fugate-Wilcox,” Arts Magazine 50, no. 4 (December 1975): 10.

Howard Smith and Brian Van Der Horst, “Scenes,” Village Voice, June 30, 1975, 16.

Terry Fugate-Wilcox, Galleries—SoHo, Goings On about Town: Art,” New Yorker, December 22, 1975, 13.

Terry Fugate-Wilcox, Galleries—SoHo, Goings On about Town: Art,” New Yorker, December 29, 1975, 6.

1976

Noel Frackman, “Terry Fugate-Wilcox,” Arts Magazine 50, no. 6 (February 1976): 17–19.

Peter Frank, “Terry Fugate-Wilcox,” ARTnews 75, no. 3 (March 1976): 134–40.

Alfred Frankenstein, “A Look at Some of the Latest Things,” San Francisco Chronicle, January 9, 1976.

Alfred Frankenstein, “Crack in the World,” San Francisco Chronicle and Examiner (This World), January 11, 1976.

Peggy Frizzell, “Eco-logue: The Concrete Crack,” Northwest Arkansas Times, March 29, 1976.

1980

Terry Fugate-Wilcox, Galleries—SoHo, Goings On about Town: Art,” New Yorker, April 14, 1980, 12.

Robert Yoskowitz, “Terry Fugate-Wilcox,” Arts Magazine 54, no. 10 (June 1980): 37–38.

1981

Darrel Burkhardt, “Perils of Art,” Susquehanna Press and Sun-Bulletin, October 4, 1981.

Grace Glueck, “An Outdoor-Sculpture Safari around New York,” New York Times, August 7, 1981.

Other Show Houses and Forthcoming Home Tours in the Area; Show Houses,” New York Times, April 23, 1981.

1982

Molly Carruth, “Big Apple Property for Sale—and It’s Cheap,” United Press International Archives, May 11, 1982.

1983

Georgia Dullea, “Metropolitan Diary,” New York Times, July 20, 1983.

Jennifer Dunning, “The Changing City: 18 New Arrivals,” New York Times, October 21, 1983.

Grace Glueck, “Art: A Huge Exhibition at Brooklyn Terminal,” New York Times, September 30, 1983.

Laurie Johnston and Susan Heller Anderson, “Man and Nature Producing Ever-Changing Canvas,” New York Times, June 17, 1983.

1984

Susan Heller Anderson and David Bird, “Sculpture on 7th Ave. South Comes under Attack,” New York Times, August 8, 1984.

Ellen Lubell, “Eye of the Beholder,” Village Voice, October 30, 1984, 51.

“1983 in Review: Public Art,” Art in America 72, no. 7 (August 1984): 42.

1985

Marion Filler, “Weather Is Artistic Element,” Daily Record, July 14, 1985.

Rachel Mullen, “Nature Is Vital Component in Actual Art,” Bernardsville News, June 27, 1985.

Ronna Weinberg, “Newark Museum Opens Two Unusual Shows Tuesday,” Asbury Park Press, June 16, 1985.

William Zimmer, “At Squibb: A Display of How Little Change There Really Is,” New York Times (New Jersey Weekly), July 28, 1985, 16.

1986

David W. Dunlap, “New Village Bustle, New Taste in Tastes,” New York Times, November 20, 1986.

1987

Ann V. Bollinger, “Woman and Village Square Off in Battle over Triangle,” New York Post, March 21, 1987.

John Herzfeld, “Tangled Triangle,” ARTnews 86, no. 10 (December 1987): 30.

1989

Tunnel Vision: Goings On about Town: Art,” New Yorker, April 17, 1989, 17.

1990

Paul Gardner, “How to Succeed (by Really Trying),” ARTnews 89, no. 2 (February 1990): 134–37.

1995

Bill Bell, “This Painter’s Art Is an Actual Blast,” New York Daily News, March 13, 1995.

Neil Graves, “Rust Never Sleeps—It Just Becomes Art,” New York Post, April 10, 1995.

Richard Johnson, “We Hear,” New York Post, January 5, 1995.

Neil Travis, “Modern Art’s a Blast,” New York Post, March 6, 1995.

Neil Travis, “Taking It Slow,” New York Post, January 30, 1995.

Michael Walker, “Tectonics: The Crack-Up,” Los Angeles Times Magazine, December 3, 1995, 19.

1997

Silver Apples,” Ptolemaic Terrascope 22 (February 1997).

Erica Schacter, “Don’t Drink the Water,” Wall Street Journal, September 11, 1997.

1998

Jane H. Lii, “Chinese New Year Begins without Its Usual Bang,” New York Times, January 29, 1998.

1999

Obituaries: Dale F. Wilcox,” Battle Creek Enquirer,” December 27, 1999.

2000

Jonathan Goodman, “Tery Fugate-Wilcox at Shakespeare’s Fulcrum,” Art in America 88, no. 12 (December 2000): 124–25.

Richard Johnson with Paula Froelich and Chris Wilson, “Page Six: Feeling Blue,” New York Post, August 28, 2000.

Lucina Ward, “Nothingness and Being: ‘Art Current’ and the Installation of Minimal and Conceptual Art from the National Gallery’s Collection,” artonview 24 (Summer 2000–1): 46–49.

2003

Walter Robinson, “Weekend Update,” Artnet Magazine, June 30, 2003.

2005

Spencer Morgan, “The Transom: Shakespeare’s Daughters,” New York Observer, December 26, 2005.

2009

J. Hayes, “Spring Arrives, and Longboarders Agree—It’s About Damn Time,” Brooklyn Barbarosa, April 23, 2009.

2010

Troy Egan, “Actualism in Art: A Discourse” (BA thesis, University of Waikato, 2010).

2011

Jad Abumrad, “3,000 A.D. Diffusion Piece,” Metrofocus (WLIW 21 / Thirteen), September 20, 2011.

William F. Renzulli, “Shakespeare in SoHo: A Topless Art Gallery,” Reflections on a Life in Medicine, Art, and Pasta, January 27, 2011.

2013

Katharine Ulrich, “Visiting Washington Heights in Manhattan,” Newsday, August 2, 2013.

2014

Gary Buiso, “Inside the City’s Tiniest Properties,” New York Post, August 24, 2014.

Kiersten Holden-Ada, “Custom Ring: Al + Mg,” Fervour’s Own Jewellery, November 19, 2014.

2015

Katharine J. Wright, “Art Everywhere: The Met’s Little-Known Collection of Advertising Art,” In Circulation (blog), Metropolitan Museum of Art, November 25, 2015.

Katharine J. Wright, “Your Art Here: Print Advertisements and Contemporary Art, 1964–1974” (PhD dissertation, Institute of Fine Arts, New York University, 2015).

2016

Jessica Soultanian-Braunstein, “Appellate Division Overturns BSA Denial of Sign Registration,” City Land (New York Law School), May 25, 2016.

Andrew Wasserman, “Why Is This a Good Thing for Us? Challenging Public Sculpture and Contesting Territory in 1970s New York,Journal of Urban History, ahead of print, December 15, 2016, DOI: 10.1177/0096144216675473.

2017

Edgar Catasus, “J. Hood Wright Park,” I Love Washington Heights, June 14, 2017.

Sherrie Wilkolaski, “Art House Exhibiting ‘Actual Art’ Icon Tery Fugate-Wilcox,” Lux Beat, July 21, 2017.

Alexander Zaklynsky, “Resonant Structures Found by Way of Exploring Infinity” (MA thesis, Royal Academy of Art and Royal Conservatory, The Hague, 2017).