A chronological bibliography of articles, essays, reviews, and commentary on the artist Terry Fugate-Wilcox.
1965
“Couple Plan Study of European Art,” Battle Creek Enquirer and News, April 8, 1965.
“With a Local Angle: Music, Art & Drama,” Battle Creek Enquirer and News, March 21, 1965.
1967
Victor Rauch, “Pop(ular) Art!,” Kalamazoo Gazette, June 4, 1967.
1968
“Local Artist in ‘Look,’” Kalamazoo Gazette, ca. January 1968.
Gereon Zimmermann, “The Culture Kick in Kalamazoo,” Look 32, no. 1 (January 9, 1968): 26–29.
1969
“Garrett-Wilcox,” Battle Creek Enquirer, April 13, 1969.
Grace Glueck, “Art for Your Ear,” New York Times, October 26, 1969.
Susan Rogers, “It’s Time to Separate the Sound from the Noise,” New York Post, October 27, 1969.
1970
“Contemplation Environments,” ACC Outlook 11, no. 1 (February 1970): 2.
Marjoe Creamer, “Drop into a New Environment,” St. Petersburg Times, March 8, 1970.
Gamal El-Zoghby, “Designed for Contemplation,” Craft Horizons 30, no. 2 (March–April 1970): 12–19, 55.
“Hark, Hark! The Art at Heaven’s Gate Sings,” Esquire 73, no. 5 (May 1970): 140–45.
Ann McMillan, “The Listening Eye,” Craft Horizons 30, no. 1 (January–February 1970): 15.
Duncan Mitchell, “Justine Dane at Jean Freeman,” Arts Magazine 45, no. 2 (November 1970): 52.
Howard Smith, “Scenes,” Village Voice, September 17, 1970, 23.
“Space Shapers,” American Home (April 1970), 28, 38.
1971
“Art Gallery for Sale,” Kalamazoo Gazette, April 5, 1971.
Gregory Battcock, “New York,” Art and Artists 5, no. 11 (February 1971): 12–13.
Gregory Battcock, “New York Letter: Art as Communications Phenomenon,” Art and Artists 5, no. 10 (January 1971): 62, 64.
Anthony Burton, “Fangtastic Is the Word for Battery Art Show,” New York Daily News, October 15, 1971.
“Environment Exhibits Mark Park Art Shows,” New York Times, October 15, 1971.
Terry Fugate-Wilcox, “Force Art: A New Direction,” Arts Magazine 45, no. 5 (March 1971): 28–30.
Grace Glueck, “The Non-Gallery of No Art,” New York Times, January 24, 1971.
“Jean Freeman,” Arts Magazine 45, no. 6 (April 1971): 71.
Thomas Meehan, “A Non-Art Article on Art,” Horizon 13, no. 4 (Autumn 1971): 4–11.
John Perreault, “Art,” Village Voice, February 4, 1971, 13–14.
Victor Rauch, “The Artful Hoax of Fugate-Wilcox,” Kalamazoo Gazette, March 14, 1971.
Harris Rosenstein, “Reviews and Previews,” ARTnews 70, no. 1 (March 1971): 17.
Howard Smith, “Scenes,” Village Voice, June 24, 1971, 42–43.
1972
Lawrence Alloway, “The Public Sculpture Problem,” Studio International 184 (October 1972): 125–27.
James Bishop, “Reviews and Previews,” ARTnews 71, no. 4 (Summer 1972): 19.
Larry Cole, “Vox Populi Will Decide on Public Art,” New York Daily News, April 23, 1972: 9M.
Nancy Foote, “Ripping Off the Art Magazines,” Art in America 60, no. 2 (March–April 1972): 19.
Grace Glueck, “No Fair Play for the Fair Sex?,” New York Times, June 11, 1972.
1973
Peter Frank, “Reviews and Previews,” ARTnews 72, no. 6 (Summer 1973): 94–98.
Paul Stitelman, “Notes on Gallery Packaging and Aesthetic Intentions,” Arts Magazine 48, no. 1 (September–October 1973): 58–61.
1974
Alexandra Anderson, “Mass(ive) Sculpture,” Village Voice (centerfold insert), November 21, 1974, np.
Judith Beardsall, “Terry Fugate-Wilcox,” SoHo Weekly News, November 21, 1974, 15.
Jill Gerston, “Park Gets 36-Foot ‘Silver Wafer,’” New York Times, November 16, 1974.
Jeremy Gilbert-Rolfe, “New York,” Artforum 12, no. 8 (April 1974): 70–75.
“In the New York Galleries,” Arts Magazine 48, no. 4 (January 1974): 76–77.
“Li-Lan/Terry Fugate-Wilcox, Galleries—SoHo, Goings On about Town,” New Yorker, January 21, 1974, 8.
“Li-Lan/Terry Fugate-Wilcox, Galleries—SoHo, Goings On about Town,” New Yorker, January 28, 1974, 11.
Ellen Lubell, “Terry Fugate-Wilcox,” Arts Magazine 98, no. 4 (January 1974): 60.
Patrick McGinnis, “A $5000 Whatsit,” Staten Island Advance, November 19, 1974.
Paul Stitelman, “Gallery Sculptors,” Arts Magazine 48, no. 5 (February 1974): 64–67.
“The ‘Vasari’ Diary: Picasso’s Fakes and Other Stories,” ARTnews 73, no. 6 (Summer 1974): 16–19.
1975
“Art for the Big Fault,” Newhall Signal and Saugus Enterprise (July 11, 1975): 5.
Margaret Bartelme, “The San Andreas Fault Project,” Art Week 6, no. 45 / Art Week 7, no. 1 (December 27, 1975 / January 3, 1976): 15.
Grace Glueck, “Bold Abstract Sculptures Are Sprouting in Parks and Plazas,” New York Times, October 13, 1975.
“Not His Fault,” Texas Sun, July 17, 1975.
Mark Savitt, “Terry Fugate-Wilcox,” Arts Magazine 50, no. 4 (December 1975): 10.
Howard Smith and Brian Van Der Horst, “Scenes,” Village Voice, June 30, 1975, 16.
“Terry Fugate-Wilcox, Galleries—SoHo, Goings On about Town: Art,” New Yorker, December 22, 1975, 13.
“Terry Fugate-Wilcox, Galleries—SoHo, Goings On about Town: Art,” New Yorker, December 29, 1975, 6.
1976
Noel Frackman, “Terry Fugate-Wilcox,” Arts Magazine 50, no. 6 (February 1976): 17–19.
Peter Frank, “Terry Fugate-Wilcox,” ARTnews 75, no. 3 (March 1976): 134–40.
Alfred Frankenstein, “A Look at Some of the Latest Things,” San Francisco Chronicle, January 9, 1976.
Alfred Frankenstein, “Crack in the World,” San Francisco Chronicle and Examiner (This World), January 11, 1976.
Peggy Frizzell, “Eco-logue,” Northwest Arkansas Times, March 29, 1976.
Blanche Sterling, ed., “Around Town,” The Record (Hackensack, New Jersey), February 23, 1976.
1980
“Terry Fugate-Wilcox, Galleries—SoHo, Goings On about Town: Art,” New Yorker, April 14, 1980, 12.
Robert Yoskowitz, “Terry Fugate-Wilcox,” Arts Magazine 54, no. 10 (June 1980): 37–38.
1981
Darrel Burkhardt, “Perils of Art,” Susquehanna Press and Sun-Bulletin, October 4, 1981.
Grace Glueck, “An Outdoor-Sculpture Safari around New York,” New York Times, August 7, 1981.
Jonathan Mandell, “In Rust We Trust,” New York Daily News, October 11, 1981.
“Other Show Houses and Forthcoming Home Tours in the Area; Show Houses,” New York Times, April 23, 1981.
1982
Molly Carruth, “Big Apple Property for Sale—and It’s Cheap,” United Press International Archives, May 11, 1982.
“Gallery: Art and Energy,” Hartford Courant, March 7, 1982.
Claudia Van News, “Junk Blossoms into Sculpture,” Hartford Courant, June 30, 1982.
1983
Georgia Dullea, “Metropolitan Diary,” New York Times, July 20, 1983.
Jennifer Dunning, “The Changing City: 18 New Arrivals,” New York Times, October 21, 1983.
Grace Glueck, “Art: A Huge Exhibition at Brooklyn Terminal,” New York Times, September 30, 1983.
Laurie Johnston and Susan Heller Anderson, “Man and Nature Producing Ever-Changing Canvas,” New York Times, June 17, 1983.
Clint Roswell, “Energy for Art’s Sake,” New York Daily News, March 20, 1983.
“Wall for Weathering,” Latrobe Bulletin, June 28, 1983.
1984
Susan Heller Anderson and David Bird, “Sculpture on 7th Ave. South Comes under Attack,” New York Times, August 8, 1984.
Ellen Lubell, “Eye of the Beholder,” Village Voice, October 30, 1984, 51.
“1983 in Review: Public Art,” Art in America 72, no. 7 (August 1984): 42.
Doris Whitbeck, “Getting Charge Out of Technological Art,” Hartford Courant, July 4, 1984.
1985
Marion Filler, “Weather Is Artistic Element,” Daily Record, July 14, 1985.
Rachel Mullen, “Nature Is Vital Component in Actual Art,” Bernardsville News, June 27, 1985.
Helen Schwartz, “Two Months Later, ‘Actualist Art’ Shows Different, Perplexing Look,” Central New Jersey Home News, August 18, 1985.
Ronna Weinberg, “Newark Museum Opens Two Unusual Shows Tuesday,” Asbury Park Press, June 16, 1985.
William Zimmer, “At Squibb: A Display of How Little Change There Really Is,” New York Times (New Jersey Weekly), July 28, 1985, 16.
1986
David W. Dunlap, “New Village Bustle, New Taste in Tastes,” New York Times, November 20, 1986.
1987
Ann V. Bollinger, “Woman and Village Square Off in Battle over Triangle,” New York Post, March 21, 1987.
John Herzfeld, “Tangled Triangle,” ARTnews 86, no. 10 (December 1987): 30.
1989
“Tunnel Vision: Goings On about Town: Art,” New Yorker, April 17, 1989, 17.
1990
Paul Gardner, “How to Succeed (by Really Trying),” ARTnews 89, no. 2 (February 1990): 134–37.
1991
Evelyn Apgar, “Newark Museum Showcases Textiles, Beadwork, Pottery,” Central New Jersey Home News, August 25, 1991.
1995
Bill Bell, “This Painter’s Art Is an Actual Blast,” New York Daily News, March 13, 1995.
Neil Graves, “Rust Never Sleeps—It Just Becomes Art,” New York Post, April 10, 1995.
Richard Johnson, “We Hear,” New York Post, January 5, 1995.
Neil Travis, “Modern Art’s a Blast,” New York Post, March 6, 1995.
Neil Travis, “Taking It Slow,” New York Post, January 30, 1995.
Michael Walker, “Tectonics: The Crack-Up,” Los Angeles Times Magazine, December 3, 1995, 19.
1997
“Silver Apples,” Ptolemaic Terrascope 22 (February 1997).
Erica Schacter, “Don’t Drink the Water,” Wall Street Journal, September 11, 1997.
1998
Jane H. Lii, “Chinese New Year Begins without Its Usual Bang,” New York Times, January 29, 1998.
1999
“Obituaries: Dale F. Wilcox,” Battle Creek Enquirer,” December 27, 1999.
2000
Adrian Dannatt, “Waterworks: Global Missle Systems as Artistic Muse,” Art Newspaper 11, no. 107 (October 2000): 77.
Jonathan Goodman, “Tery Fugate-Wilcox at Shakespeare’s Fulcrum,” Art in America 88, no. 12 (December 2000): 124–25.
Richard Johnson with Paula Froelich and Chris Wilson, “Page Six: Feeling Blue,” New York Post, August 28, 2000.
Lucina Ward, “Nothingness and Being: ‘Art Current’ and the Installation of Minimal and Conceptual Art from the National Gallery’s Collection,” artonview 24 (Summer 2000–1): 46–49.
2003
Walter Robinson, “Weekend Update,” Artnet Magazine, June 30, 2003.
2004
W. R. Salzman, “Two-Component Phase Diagrams,” Department of Chemistry, University of Arizona, October 22, 2004 (last updated).
2005
Spencer Morgan, “The Transom: Shakespeare’s Daughters,” New York Observer, December 26, 2005.
Eric Wenzel, “If You Were a Rich Art Collector You’d Dress Like This Too,” Art or Idiocy?, May 11, 2005.
2006
J. Schumacher, “J. Hood Wright Park,” What about the Plastic Animals?, March 31, 2006.
2007
Kathleen Wereszynski, “This Year, They Must Be Cow-Proof,” Poughkeepsie Journal, September 2, 2007.
2009
J. Hayes, “Spring Arrives, and Longboarders Agree—It’s About Damn Time,” Brooklyn Barbarosa, April 23, 2009.
2010
Troy Egan, “Actualism in Art: A Discourse” (BA thesis, University of Waikato, 2010).
2011
Jad Abumrad, “3,000 A.D. Diffusion Piece,” Metrofocus (WLIW 21 / Thirteen), September 20, 2011.
Edward Callaghan, “Antiques, Art, and Design at the Armory Kicks Social and Shopping Season into High Gear,” Hamptons.com, September 23, 2011.
William F. Renzulli, “Shakespeare in SoHo: A Topless Art Gallery,” Reflections on a Life in Medicine, Art, and Pasta, January 27, 2011.
2012
Richard Forrest, “Banksy Collection Nearly Complete,” Recordart, May 3, 2012.
2013
Board of Standards and Appeals, Bulletin of the New York City Board of Standards and Appeals 98, no. 1–2 (January 16, 2013): 95–100.
Board of Standards and Appeals, Bulletin of the New York City Board of Standards and Appeals 98, no. 3 (January 23, 2013): 95–100.
Board of Standards and Appeals, Bulletin of the New York City Board of Standards and Appeals 98, no. 51 (December 25, 2013): 1025–32.
Jamie Larson, “Potential Fields Artist Reception,” Rural Intelligence, August 26, 2013.
Katharine Ulrich, “Visiting Washington Heights in Manhattan,” Newsday, August 2, 2013.
2014
Gary Buiso, “Inside the City’s Tiniest Properties,” New York Post, August 24, 2014.
Kiersten Holden-Ada, “Custom Ring: Al + Mg,” Fervour’s Own Jewellery, November 19, 2014.
2015
Evelyn C. McDonald, “A Look Back,” Fernandina Observer, December 23, 2015.
Katharine J. Wright, “Art Everywhere: The Met’s Little-Known Collection of Advertising Art,” In Circulation (blog), Metropolitan Museum of Art, November 25, 2015.
Katharine J. Wright, “Your Art Here: Print Advertisements and Contemporary Art, 1964–1974” (PhD dissertation, Institute of Fine Arts, New York University, 2015).
2016
Jessica Soultanian-Braunstein, “Appellate Division Overturns BSA Denial of Sign Registration,” City Land (New York Law School), May 25, 2016.
Andrew Wasserman, “Why Is This a Good Thing for Us? Challenging Public Sculpture and Contesting Territory in 1970s New York,” Journal of Urban History, ahead of print, December 15, 2016, DOI: 10.1177/0096144216675473.
Callum Woodhouse, “Negotiated Essay: 3000 Words,” Johns Artist Blog, February 10, 2016.
Jeremy P. Zietz, “Holistic Products: Designing with Time, Gifts, and Ritual” (MFA thesis, Virginia Commonwealth University, 2016).
2017
Edgar Catasus, “J. Hood Wright Park,” I Love Washington Heights, June 14, 2017.
Sherrie Wilkolaski, “Art House Exhibiting ‘Actual Art’ Icon Tery Fugate-Wilcox,” Lux Beat, July 21, 2017.
Alexander Zaklynsky, “Resonant Structures Found by Way of Exploring Infinity” (MA thesis, Royal Academy of Art and Royal Conservatory, The Hague, 2017).
2018
Domenick Ammirati, “Jeaneology of Morals,” Artforum, December 3, 2018.
Editors, “From the Archives: Ripping Off the Art Magazines,” Art in America, November 14, 2018.
Editors of ARTnews, “From the Archives: A Fictional Writer Profiles a Fictional Artist, in 1969,” ARTnews, October 5, 2018.
Barry Kostrinsky, “What’s All the Talk About? The Artist Talk on Art Series, 40+ Years Young,” Broadway World, January 31, 2018.
Samuel A. Rebelsky, “Discussing Film and Music at My Fourth Obermann Seminar,” SamR’s Assorted Musings and Rants, November 7, 2018.
Andrew Russeth, “The Gallery That Wasn’t There,” ARTnews, October 4, 2018.
Jennie Waldow, “Christopher Howard’s The Jean Freeman Gallery Does Not Exist,” Brooklyn Rail (December 2018–January 2019).
Lucy Watson, “Internet Art: Evan Roth’s ‘Red Lines,’” Financial Times, September 28, 2018.
Lucy Watson, “The Jean Freeman Gallery Does Not Exist,” ArtReview 70, no. 7 (October 2018).
2019
Aurelio Cianciotta, “Christopher Howard – The Jean Freeman Gallery Does Not Exist,” Neural, May 15, 2019.
Christopher Howard, “Collecting Land Art: How Earthworks Challenge Patronage,” Art in America, June 28, 2019.
2021
Lisa Green, “New Divine Feminine Puts on a Show at Shakespeare’s Fulcrum Fundraiser,” Rural Intelligence, June 23, 2021.
“Shakespeare’s Fulcrum to Present ‘New Divine Feminine’ Exhibition by Tery Fugate-Wilcox,” Artfix Daily, June 18, 2021.
Sparrow, “Lighting the Fuse: Shakespeare’s Fulcrum Launches in Hudson,” Chronogram, May 1, 2021.
Trixie Starr, “Shakespeare’s Fulcrum Benefit – Venus Statue and the New Divine Feminine Exhibition,” Trixie’s List, June 25, 2021.
“Venus Reimagined as the New Divine Feminine – Art Exhibit at Shakespeare’s Fulcrum,” Hudson Valley Style Magazine, March 19, 2021.